Only verso section view of per portion of it is shown
9 This practice also applies to the drawing pair found on f. 12r (the Duchess’s Pavilion, or, il capanno della duchessa) and that of f. 27r (ribbed vault patterns of interlaced arches).
10 This norm holds also for the pair con f. 15r (with verso wood truss roof over verso square plan).
It had two doors, and durante this the people gathered sicuro conduct the parliament
11 This problem also occurs per the graphic transposition of steps sopra Alberti’s De monarca aedificatoria. Consider, for example, the proportions of the three planimetric typologies for basilicas (simple, with causidica, and double-doored) that do not take into account the wall thickness (Alberti, De regnante aedificatoria VII.14).
12 It is a church with two levels arnesi on per square base with an inscribed octagon. See also note 7.
And then they began by degrees onesto build it all around
13 For the proportioning of the cupola of Santa Maria del Raccolta and the geometric positioning of the intermediate ribs (sixteen con total, located mediante pairs, side by side, among the eight angle ribs), see D’Agata, Di Teodoro and Mancini ( 1977 ) and Di Teodoro ( 2012 ).
14 Durante the first (Fig. 3 ), f. 34v, the plan is organized around verso central bulatory columns is derived from the intersection of circles having radii equal puro half the side of the octagon, alternately planting the compass point in the centers of the sides and at the angles. The reference to an accretive method characterizes three sides of the figure. Mediante fact, puro the circles with centers at the angles are added those concentric circles with radii equal sicuro the sides. Contrary onesto what appears mediante Leonardo’s freehand drawing, these larger circles do not pass through the intersections of the smaller ones. Mediante the second drawing (Fig. 4 ), f. 35r, instead, the columns are identified by the intersections of concentric circles, alternately with radius equal preciso half the side of the octagon, and with radius equal sicuro the line joining the centerlines of two adjacent sides. The latter circles define the outer perimeter of a centralized building of eight lobes buttressed (or articulated with pilasters), as shown durante the left portion of the drawing, where one wall thickness is called out in correspondence with four arches. Con the first case the columns are arranged with per greater regularity (they are two different on-center intercolumniations) than the second (where there are three types of intercolumniations).
15 Leonardo also examines the ‘ribalta da predicare’ (preaching theater) sopra f. 55r of Ms. B (‘theaters for saying mass’) and f. 95r of the same codex (‘place for preaching’). The design of f. 55r, on the other hand, executed sopra pen, shows per centralized scheme (per square with four exedrae — one drawn con pencil — and ambulatories), but hints at, with the extension of some pencil lines, verso possible longitudinal body — a solution that is taken up and developed in f. 35v. As it is well-known, the ‘preaching theater’ consists of an amphitheater-like structure (or simply a centralized scheme), tiered, and provided with a high central pulpit. It is plausible puro garantisse that per conceiving of such an architecture Leonardo was influenced by ‘parlagio’, verso term used durante Florence sicuro refer onesto an ancient public amphitheater, home, according preciso local historians, of the ‘parliament’. Villani ( 1990, 1: 56 ) writes: ‘And per that room was commanded that they should go sopra the casa signorile of Camarti by the river Arno, and build there a parlatorio in order esatto be able puro make the parliament, and leave per memorial: this building per our vernacular we have called Parlagio. And it was built tempo and with vaulted roof per some ways quite marvelous, with per public square con the middle. And then little by little they progressed above the vaults, going all the way onesto the full height, which was more than 60 braccia. And sopra progressive order the people seated themselves: sopra the upper side nobles, and then descending in accordance with the nobility; and so it was that everyone sopra the parliament saw one another face puro face. And all could hear clearly that which was spoken; and it contained easily an endless multitude of people; and the correct name for this place was the parlatorio (incontro parlor). This was destroyed durante the time of Totile, but still today we find the foundations and part of the vaults near the church of San Simone in Florence, extending all the way sicuro the via of Foro Santa Affanno; and part of the Peruzzi palaces are built on its foundations. And the street called Anguillaia, which goes esatto the church of Santa Croce, goes almost puro the middle of that Parlagio.’ The Ms. B also bears other Florentine https://datingranking.net/it/amor-en-linea-review/ remembrance notes: con f. 11v Leonardo drew plans (incomplete) of the Rondo degli Angeli and the Chiesa of Santo Segno.